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Conquistador of the Useless

Small Press Reviews

In many ways, Joshua Isardís Conquistador of the Useless offers the perfect counterpoint to Spencer Dewís Here Is How it Happens (reviewed here two weeks ago). Where Dewís protagonists are college-aged rebels doing their best to avoid making the leap to post-college mainstream society, Isardís novel finds a somewhat similar pair of lovers adjusting, at times uncomfortably, to a bourgeois suburban lifestyle about a decade after graduation.
The novel begins with narrator Nathan Wavelsky and his wife Lisa moving into a new home and learning upon meeting their new neighbors that the beloved music of their youth has been reduced to the status of a glorified tchotchke in the form of a Fender Jaguar signed by the members of Nirvana and mounted behind a thick pane of glass. That Nathan makes a good living as a corporate hatchet man only adds to his growing sense of ennui, and Lisaís sudden desire to start a family makes matters worse.
The problem isnít necessarily that he ever saw himself as a rebel, nor is it that he sees settling down in suburbia as a sign of giving up on his dreams. The problem, as far as he can tell, is that he never really had any big dreams to begin with ó so he does what any red-blooded American would do. He goes out and gets one. Or at least he stumbles upon one when his old college buddy shows up with a scheme to climb Mount Everest. What follows is a journey of self-discovery that allows Nathan to recognize that what matters most in his life. (Hint: It has nothing to do with the mountain.)
In terms of style, Isardís writing reminds me of Shaun Haurin and Curt Smith. Like Haurin, Isard places the musical tastes of his characters front and center through much of the narrative while, like Smith, he demonstrates a firm understanding of the compromises we all make on the long, winding path to adulthood. Iíd mention that Nathanís relative lack of direction and ambition echo the same traits in Charley Schwartz, the beleaguered narrator of my own novel, ,i>The Grievers, but that would be self-serving, so Iíll just say that on nearly every page of Conquistador of the Useless I found something that struck a chord. Iíd even be willing to bet that anyone who grew up at the tail-end of Generation X will find something to love in this book ó the protagonistís angst over drifting, however late, into adulthood, his taste in music, or even his fraught-if-only-because-itís-so-damn-pleasant relationship with his parents. All told, a fine novel about settling down without settling.
- March 29, 2013 

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