The six stories in Urrea’s new collection vary widely—in length, mood, and setting, just for starters—but his prose is singular and unmistakable. Short, direct sentences and pitch-perfect dialogue build into original studies of passion or restlessness or mischief, one detail at a time.
The two long central stories, “First Love” and “A Day in the Life,” dwarf the others in both breadth and depth. “First Love” charts a young doomed affair and a bittersweet exodus north from Mexico. “A Day in the Life” uses short, timelined cuts to depict the hard-scrabble lives and desperate dreams of a large rural family.
The other stories offer brief but rich portraits and/or slices of life: a memory of a cheeky small-town eccentric, a poignant tribute to a dead father, the setbacks of a high-strung husband in hilarious angst over marital woes, a tense reunion between two brothers-in-law on the occasion of a mortal illness.
Urrea’s writing is quick and easy, choice bits resonating in the readers’ consciousness even as he speeds ahead. Accessibility is not always considered a literary asset, unfortunately. But Urrea combines economy and clarity with precise, vivid details and images, in most cases a single apt one instead of the scattershot series favored by most “serious” contemporary authors.
These are stories that improve considerably in a second (or third), slower reading.